Chiffon Thomas - The New York Times

Chiffon Thomas - The New York Times

Chiffon Thomas, 32, takes as his found objects the ornate wood columns retrieved from demolished Colonial and Victorian-style mansions on the East Coast — “the emblems of something oppressive, something that held my family back,” he said, describing the legacy of racial discrimination. “The architecture was a symbol of all this history, a ghost of the history still very present operating in this insidious way.”

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Ricardo Cabret - Surface

Ricardo Cabret - Surface

The Puerto Rican painter and computer engineer allows his two spheres of practice to inform one another, yielding intricately gridded canvases that both reveal and shed a soft light on the entanglements between man and machine.

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Alicia Adamerovich - Office Magazine

Alicia Adamerovich - Office Magazine

Working in the lineage of artists such as Dorothea Tanning and Lee Bontecou whose dream-like works meld the natural and fictional, Brooklyn-based artist Alicia Adamerovichtransfigures key aspects of her lived experience into surreal scenes that explore the inner self. Adamerovich grounds her practice in the introspective, often drawing until she feels a “specific complexity of emotions.”

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Alia Ahmad - Artsy News

Alia Ahmad - Artsy News

In Alia Ahmad’s debut solo exhibition in the United States, “من الحلم .. . روضة (A meadow…from a dream),” on view at Kohn Gallery in Los Angeles through January 14, 2023, a kaleidoscope of color invokes a sense of magnetism. Born in Saudi Arabia’s capital city, Riyadh—which is located on a desert plateau in the center of the country—Ahmad draws inspiration from her home’s diverse cityscape for her large-scale tableaus.

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Sharon Ellis - Artillery

Sharon Ellis - Artillery

There is something sugary about Sharon Ellis’ new psychedelic paintings that are reminiscent of my favorite childhood board game, Candy Land, nostalgic of gingerbread plum trees, the peppermint stick forest, Queen Frostine and Princess Lolly. Ellis’ paintings also remind me of the last time I took mushrooms and indulged in looking up at the glittering night sky.

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Lita Albuquerque - Los Angeles Magazine

Lita Albuquerque - Los Angeles Magazine

The evening of November 7, 2018, Lita Albuquerque had plans to see a performance of Philip Glass’s “Satyagraha” at the L.A. Opera with her husband, Carey Peck. He offered to make a night of it with a downtown staycation. “We never do that,” Albuquerque says. “At first, I said, ‘Oh, no, I’m too busy.’ But then I thought, ‘I’m being a real ass.’ ”

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Lyrical Cool - ArtForum

Lyrical Cool - ArtForum

While a student at Hollywood High, Shirley Morand was prevented from accepting a scholarship to the San Francisco School of Fine Arts by her father, who felt she didn’t need further education. Sometime later, she would receive a tap on the shoulder while in line for Cocteau’s 1930 film, The Blood of a Poet, at the Coronet Theatre in Los Angeles.

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Bruce Conner - Artillery

Bruce Conner - Artillery

The title of the film conveys the dual meaning of the word—as both an accounting and a reverberant or explosive signal, echo or announcement of an event—and the film carries its full freight. The actual fragments of live radio broadcast transmissions that comprise the soundtrack are an accompaniment as much as reportage in the conventional sense.

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Heidi Hahn - Surface

Heidi Hahn - Surface

Through deft use of texture, the Brooklyn painter renders her own experiences—privacy, vulnerability, and liberation among them—in meditative portraits of women asserting bodily autonomy and existing on their own terms.

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Ilana Savdie - Interview

Ilana Savdie - Interview

Over the course of her 15-year career, Ilana Savdie has carved out a niche of her own in the contemporary art world with her vibrant, surrealist elaborations on the human form. Her paintings—reminiscent of both the hopeful abstractions of Helen Frankenthaler and the visceral, warped bodies of Francis Bacon—explore the tensions between control and defiance, identity and ambiguity.

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Ilana Savdie - LA Weekly

Ilana Savdie - LA Weekly

Ilana Savdie: Entrañadas at Kohn Gallery. With hot-colored, electrifying paintings, Savdie’s large-scale works actualize tension as a state of being. Humanoid forms are suspended beyond normative order to narrate the displacement of power through invasion, control, and defiance.

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Ed Moses - KCRW

Ed Moses - KCRW

On view at Kohn Gallery in Hollywood is a posthumous exhibition of paintings by the influential LA abstractionist Ed Moses, who passed away in 2018 at the age of 91. Working prolifically until just two weeks before his death, Moses was a notable member of the “Cool School” artists and made work that was constantly experimental, pushing the boundaries of what paint and abstraction can do.

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Ed Moses - Art Matters with Edward Goldman

Ed Moses - Art Matters with Edward Goldman

The Kohn Gallery presents paintings by Ed Moses (1926-2018) from the last decades of his life. One of the most distinguished artists during the post-war Los Angeles art scene, Moses continued to challenge himself artistically through six decades of his career. His abstract paintings were constantly evolving,

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Kohn Gallery - FAD Magazine

Kohn Gallery - FAD Magazine

Featuring works by: Martha Alf, who has a gift for giving life, beauty, and often personality to mundane objects with her use of light, colour and space, Sharon Ellis, whose works demonstrate an evocative approach to landscape painting, by touching upon the sublimity of the wild with rich hues, dramatic light sources and marked proportions.

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