News.

Jarvis Boyland - Los Angeles Times

Jarvis Boyland - Los Angeles Times

Diva painting might be its own notable genre, given such exceptional practitioners as Kurt Kauper and Marilyn Minter. Their work doesn’t merely show as vivid, dramatic subject matter an array of imperious opera singers, fashion models, Hollywood icons at home or sex-tape-style celebrities-in-the-making. Instead, it forthrightly asserts that, in an era in which any form of art-making is possible, painting is a diva too.

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Gonzalo Lebrija - Artnet News

Gonzalo Lebrija - Artnet News

After signing on with Kohn last fall, Mexican artist Lebrija makes his debut at the gallery this year with an ambitious exhibition. On view are paintings from the artist’s signature Veladuras series, which feature layers of muted semi-transparent paint that form prismatic abstractions, as well as a new sculptural work and film installation. Lebrija is not quite as well-known to American audiences as he is in his home country, but hat may be changing soon.

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Rosa Loy - ARTFORUM

Rosa Loy - ARTFORUM

In Leipzig-based painter Rosa Loy’s phantasmagoric compositions, the industrious, rosy-cheeked women of socialist realism are recast in Kafkaesque mise-en-scènes, in which they farm human-faced heads of lettuce, feed lollipops to Harpies wearing headbands, and recline on couches in poses of analysands more than odalisques.

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Rosa Loy @ The Broad

Rosa Loy @ The Broad

Yuval Sharon, founder and director of LA’s The Industry, Broad collection artist Neo Rauch and painter Rosa Loy will discuss their production of Richard Wagner’s “Lohengrin” at the 2018 Bayreuth Festival, which – according to The New York Times – “made Wagner a feminist.”

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Rosa Loy - The New York Times

Rosa Loy - The New York Times

AYREUTH, Germany — In the 142 years since Richard Wagner made front-page news in New York with the first Bayreuth Festival, Americans have sung here, conducted here, made countless pilgrimages up a little green hill to sit, sweltering, in the temple that the composer built to his own art. But until now, no American had been entrusted with a production.

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Tony Berlant - Architectural Digest

Tony Berlant - Architectural Digest

For anyone interested in the long arc of art history, the contemporary art world’s obsession with youth, novelty, and spectacle can be exhausting. A welcome tonic has arrived in the form of a dazzling new show at Los Angeles’s Kohn Gallery that is dedicated to recent work by Tony Berlant.

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Jess - KCRW

Jess - KCRW

The Bay Area of the 1950s was the West Coast epicenter for poetry, jazz and art. Part of the excitement came from the close connections between those three art forms. This was especially true in collage, art composed from fragments of photographs, advertisements or newspaper articles, elements brought together in unexpected ways to tell new stories.

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Rosa Loy - The New York Times

Rosa Loy - The New York Times

This summer, some of Germany’s most noted artists are lending their talents to two high-profile productions at prestigious music festivals. In late June, Georg Baselitz furnished somber and mournful sets for Pierre Audi’s production of “Parsifal” at the Munich Opera Festival. Meanwhile, in Bayreuth, the husband-and-wife artist duo, Neo Rauch and Rosa Loy, are working on the new “Lohengrin” overseen by the American director Yuval Sharon, which is set to open the annual Wagner Festival on July 25.

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Mark Innerst - ARTNOWLA

Mark Innerst - ARTNOWLA

In many ways, painter Mark Innerst could be considered a contemporary modernist. His works align with American painters like Charles Sheeler and Joseph Stella that were active in the late 19th and early 20th centuries, who celebrated cities and industrial societies.

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Mark Innerst - ArtScene

Mark Innerst - ArtScene

In the 1980s, a decade when artists commonly appropriated styles or imagery from earlier art historical periods, Mark Innerst became known for beautifully crafted natural and urban landscape paintings that gave new life to the American tradition of the romantic sublime.

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Engender - Artillery

Engender - Artillery

ARTILLERY BEST IN SHOW 2017

Moving well past a theme dominant in recent contemporary fine (and popular) art, Friedman’s brilliantly curated (and gorgeous) show of painting saw us through to a deeper, more complex and nuanced—and richly generative—consideration of identity in the 21st century

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Engender - The Art Newspaper

Engender - The Art Newspaper

Before Kohn had fully installed its exhibition of paintings that address the fluidity of gender, collectors had already bought 70% of its contents. Of the 17 artists in the show, buyers came hungry for the names Loie Hollowell, Jesse Mockrin, Tschabalala Self, Jansson Stegner, Emily Mae Smith and Christina Quarles.

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Engender - Artnet

Engender - Artnet

The 17 painters included in “Engender,” a show at Los Angeles’s Kohn Gallery, aim to tackle these questions. The artists, ranging from well-known figures like Nicole Eisenmanand Hernan Bas to rising stars like Firelei Báez and Tschabalala Self, contribute to a conversation about how to expand and deconstruct the visual language of gender identity.

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Dennis Hopper - Los Angeles Times

Dennis Hopper - Los Angeles Times

The late actor Dennis Hopper is remembered for a lot of things. There is the volatile hippie he portrayed in “Easy Rider,” the 1969 counterculture classic he also directed. And there’s his depiction of an unhinged Frank Booth in David Lynch’s “Blue Velvet” in 1986.

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