What does selfhood mean during times of extreme isolation? This is only one of the many thought-provoking questions that Myselves, opening on September 11th at Kohn Gallery in Los Angeles, might be able to answer. The group exhibition, curated by Joshua Friedman, features over twenty-five established and emerging contemporary artists who use their medium as a means to examine the various ways that our environment shapes our identity.
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How does an artist shape and portray their identity? Curator Joshua Friedman explores the question in myselves, a group exhibition at Kohn Gallery in Los Angeles until October 31. The group show features work from 25 contemporary artists, including Amoako Boafo, Heidi Hahn, Bruce Conner, Loie Hollowell, Jesse Mockrin, Xiuching Tsay, and Naotaka Hiro.
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On view at Kohn Gallery is the first West Coast solo exhibition of paintings and sculptures by New York-based artist Nir Hod. Hod is known for creating works—from figuration to abstraction—that have a deeper, fundamental meaning. “By telling the truth through beauty you get away with many things,” says the artist.
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A group exhibition curated by Joshua Friedman, myselves brings together 27 artists who investigate ideas about the fluidity of identity by deconstructing the conventions of their mediums. Examining the interlaced spheres of race, gender, sexuality, and heritage across painting, collage, sculpture, and mixed media, this anticipated exhibition offers not only a look at new art-making modalities, but at a generation of rising stars whose works, “confront the myth of selfhood’s unchanging rigidity and turn instead to its fertile nebulousness.”
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Contemporary painting is usually characterized by the specific stylistic orientation of an artist; however, it is not that rare that one’s artistic practice is a mix of different formal and conceptual persuasions. Take for instance the Israeli born, New York-based artist Nir Hod, who manages to express himself through both figuration and abstraction.
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Since founding his namesake Hollywood gallery in 1985, Michael Kohn has weathered his share of storms. "In 2008 [amid the financial crisis], buyers clammed up," recalls the veteran art seller. "And in 1991, during the first Iraq War, everything just stopped."
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With galleries slowly reopening across the Americas, especially in cities where the curve has been flattened, we took a look at the solo shows on view and found a number of exhibitions dealing with concepts of art-making in fresh and exciting ways.
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Artist Nir Hod has had his share of opening parties and solo shows, but his latest debut at Kohn Gallery in Los Angeles offers an unveiling like none other. Opening on July 16 and running through the end of August by appointment only, the show entitled, “The Life We Left Behind,” pushes Hod’s work with chrome to new depths.
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A new site-specific artwork by Lita Albuquerque, “Red Earth,” greets visitors at The Huntington Library, Art Museum, and Botanical Gardens as garden areas reopen after a closure of more than three months as a result of the COVID-19 pandemic.
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As the world continues to watch numbers in hopes they come down or stay the same, two Chicago artists got to see their bank accounts go up in the amount of $10,000 thanks to winning the 2020 Chicago Artadia Awards. Sculptor/printmaker Eliza Myrie and abstract painter Caroline Kent received the unrestricted funds this week as part of the national nonprofit’s 11th award cycle. The national nonprofit gives money annually to visual artists (in any medium) living within Cook County for more than two years.
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A new site-specific artwork by Lita Albuquerque, “Red Earth,” greets visitors at The Huntington Library, Art Museum, and Botanical Gardens as garden areas reopen after a closure of more than three months as a result of the COVID-19 pandemic. Originally scheduled to go on view in March, the temporary installation centers around a boulder capped with bright red pigment placed among towering bamboo in a grove of the Japanese Garden.
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I must admit, it has been difficult to make work about human connection and the many emotions that come with that, because I have been so isolated. Before all of this, it was easy to just fall into a strange hypnosis and paint my feverish memories or fantasies. The intimate connection that was once easily shared with others has turned inward. I have gone deeper into myself and have challenged my perspective to tap into the collective unconscious.
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Buddhist teacher and author Stephen Batchelor and artist Lita Albuquerque discuss their views on life, death, and the concept of impermanence with KCRW host Jonathan Bastian. This interview has been abbreviated and edited for clarity.
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Caroline Kent breaches borders, formally, conceptually, geographically. Interested in reevaluation of abstract painting, that sacred ivory tower of modernism, Kent’s practice is founded on notions of textual translation informed, in part, by time spent in Romania.
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How else to describe these past few weeks other than surreal? Seemingly overnight, the entire fabric of daily life has been turned upside down. And yet—between trying to order groceries online and refreshing the New York Times homepage—it’s important that we keep ourselves optimistic, energized, and entertained (and, perhaps, a little distracted).
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ohn Gallery didn’t aspire to plan a booth celebrating female and non-binary artists; the directors just selected work they were passionate about and ended up with a thoughtful, attractive presentation featuring no male artists at all.
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As a nine year old elementary school student, meeting his dad’s colleague Marcel Duchamp was an eye opener for author Tosh Berman. “When I told the teacher,” Berman explains, “she asked ‘what did you do over the weekend?’ and I said I went to this art show at a big museum in Pasadena, and I met this French man, and she knew what I was talking about. I don’t think she was an art fan, but I think she read about it in a newspaper and stuff.”
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Kohn Gallery in Los Angeles has added Chicago-based painter Caroline Kent to its roster. The gallery will present Kent’s first solo exhibition in L.A. in September. Works by the artist, who is known for her explorations of language and abstraction that unfold on black canvases, can be found in the collections of the Art Institute of Chicago and the Walker Art Center in Minneapolis. She has previously exhibited at the California African American Museum in Los Angeles, the FLAG Art Foundation in New York, and elsewhere.
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Desert X, a land art exhibition, first launched in 2017 in the Coachella Valley. It appeared again in 2019. Then its director, Neville Wakefield, announced a new location for 2020: Al Ula, a magnificent desert-scape and UNESCO World Heritage site in Saudi Arabia.
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Seated atop a big anamorphous rock in AlUla, an ancient oasis in the Medina region of Saudi Arabia, is an electric blue sculpture of a woman seated in the meditative yogic position called “lotus.” Her legs are crossed while her hands extend out with her palms open on either knee. Her eyes are closed as she connects with the silence and nature that surrounds her.
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