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Engender - Dujour

Engender - Dujour

As Hollywood continues to reckon with widespread allegations of sexual assault and toxic masculinity, L.A.’s art scene has offered some solace in the form of the binary-smashing exhibit “Engender.” The show, which opened at Kohn Gallery this weekend, attracted a tide of progressive arts patrons, including actress and survivor Rose McGowan, who is currently leading the charge against Harvey Weinstein and gendered power dynamics in the industry.

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Engender - Blouin Artinfo

Engender - Blouin Artinfo

“Engender” is a group exhibition featuring seventeen contemporary artists who are revolutionizing the way one visualizes conventional gender as exclusively male or female. Through painting, a medium that has traditionally embraced this binary, these artists are pushing the genre in new, unprecedented directions, challenging the ways in which paintings can be used to deconstruct and rewrite conventional notions of personal identity.

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Engender - Juxtapoz

Engender - Juxtapoz

Kohn Gallery in Los Angeles recently announced their upcoming Fall exhibition, Engender, focusing on male and female gender classifications. Through works by seventeen contemporary artists the show will examine this timely topic attempting to revolutionizing the way we visualize conventional gender as exclusively male or female.

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Engender - Forbes

Engender - Forbes

Many artists, stuck glamorizing the “starving artist” cliché they’ve been conditioned to revere, come off as uncomfortable with success or, worse, ungrateful. This is not the case with painter and contemporary artist Nathaniel Mary Quinn. In his work and his life, Quinn recognizes that every individual is comprised of a multitude of layered life experiences. 

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Dennis Hopper - KCRW

Dennis Hopper - KCRW

Dennis Hopper, actor, director and art collector, apparently wanted his legacy to be his photography. From the time his actress wife Brooke Hayward bought him his first Nikon camera, he took thousands of black and white photographs.

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Dennis Hopper - Los Angeles Times

Dennis Hopper - Los Angeles Times

Dennis Hopper, “The Lost Album,” at Kohn Gallery. In addition to being an actor, Hopper was a devoted photographer, who, for a period of 10 years, principally through the ‘60s, carried his camera with him wherever he went. In the process, he captured scenes on the street, celebrities at rest and his artist friends (figures such as Ed Ruscha and Billy Al Bengston).

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Dennis Hopper - Artnet

Dennis Hopper - Artnet

Dennis Hopper’s Lost Album, a trove of photographs taken by the artist and Hollywood star throughout the 1960s, is coming home to Los Angeles, where the entire group of over 400 images will go on display at Kohn Gallery.

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Dennis Hopper - The Wall Street Journal

Dennis Hopper - The Wall Street Journal

Dennis Hopper often talked about his first photography show when he was alive. The exhibition of 400 black-and-white photos, shot between 1961-1967, took place in 1970 at the Fort Worth Art Center in Texas. It was an achievement that remained to him since, despite his prolific acting career, Hopper increasingly wished to be remembered as a photographer by the end of his life.

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Dean Byington - KPCC

Dean Byington - KPCC

“I have my impulses,” says the bearded, sturdy painter Dean Byington, gesturing at his nine immense black and white canvases in “Theory of Machines’’ at the Kohn Gallery. Looking at the pictures, you think, “These impulses are deeply sublimated.” 

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Lita Albuquerque @ Desert X

Lita Albuquerque @ Desert X

For DesertX, Lita Albuquerque chose to work at The Annenberg Retreat at Sunnylands Center & Gardens because of its history as a gathering place. An oasis within the desert, Sunnylands perhaps is best known as the Camp David of the West, frequently hosting Presidential vacations, retreats and summits

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Lita Albuquerque - KCRW

Lita Albuquerque - KCRW

At one point in the bright, mantric hour-long performance ritual which christened Lita Albuquerque’s current sculptural installation hEARTH at the Sunnylands Center & Gardens in Rancho Mirage, a throaty clarion chant rang out across the great lawn, staccato: Got to, got to, got to, got to listen to the silence. Why did you come here? Why do you listen? What does it say to you? In many ways, these are the foundational questions and the essential directive of the entire Desert X affair.

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