“Progeny,” Chiffon Thomas’s exhibition here, presents three installations in which peculiar juxtapositions of body parts and architectural forms become points of departure for considering how individual and collective identities evolve.

Chiffon Thomas’s bronze, stained glass, and steel sculptures fuse the corporeal and the monumental, invoking forgotten legacies of labor, communal perseverance, and historical injustices.

English professors will tell you that Shakespeare is funny, but his jokes often elude my grasp: his complex verse can cloud the immediate comedy of his plays. A similar difficulty underscores Siji Krishnan’s solo exhibition at Michael Kohn Gallery, aptly titled ‘Liminal Spaces’.